![]() ![]() **If no mute or ponticello sample existed, a normal sound was equalized to simulate these techniques. Īdded rules to play non-slurred note as detaché, reducing its duration a little.Īdded channels 12 (mute) and 13 (mute staccato) with the best possible sounds to all string instruments.Īdded channels 14 (sul ponte) and 15 (sul ponte tremolo) with the best possible sounds to the strings. (Thanks dgriffee for his work on the general phrasing rules).Īdded rules to play staccato under slur as detaché/mezzo-staccato. This works fine to separate phrases, breaths and bows. Rules may work with any instrument that can do slides as far as the channels 4 and 5 are set up in the presets.Īdded rule to shorten and soften notes at the end of slur. Added rules to play portamento (for clarinet, strings and brass glissandos and timpani glides). Again, added a digital tremolo effect to the channel if no tremolo/flutter sample was available. Channel 5 was created in most instruments for tremolo/flutter glissando. Added channels 4 and 5 with Miroslav "legato" mode (for portamento), and mapped Portamento (Gliss) control to CC20 in those channels, to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, violin, viola, violas, violoncello, cellos, contrabass, double basses, clarinets, trombones, trumpet, tuba, fr. Added a rule to also play tremolo (switch to channel 11) when 'fluttertongue' technique is written on the score. ![]() added channel 11 with Flute fluttertongue sound to the Piccolo preset. Added channel 11 with digital tremolo effect to simulate tremolo/fluttertongue/roll to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, trombones, trumpet, trumpets, oboe, oboes, bassoon, english horn, bassoons. Added a rule to play the sampled trills (only on the clarinet). Had to Tune up the whole trill using the Miroslav interface tuning, because the starting note was 75 cents lowert a quarter tone lower. Added trill samples to channels 15 and 16 of the clarinet preset file. A FF horn sample was set in channels 15 and 16, triggered by high velocities only, as a layer to brighten horn sounds in forte to fortissimo dynamics. Fixed the absent Bass Clarinet problem by "hacking" a byte in the Bass Clarinet preset file! Here I provide detailed information on what was done with the original rules and presets. Solfege_choir.mp3 Choir Singing Note Names (419.49 KiB) Downloaded 975 times Miroslav philharmonik 2 manual how to#Here you can see how to write the glissandi so they work: Actually, a realistic glide is achieved by antecipating the second note, otherwise the glissandi starts too late. The notes must overlap for portamento to work, so it's necessary to edit their durations by dragging the gray lines in the Sequencer Overlay. At least the LAST note has to have one of these techniques attached to it (of course the attachments can be hidden): The notes must be linked by the Slide up or Slide Down lines, from the palette (shortcut "\") But In order to work, the following conditions are required: With these rules, instruments in Miroslav can play seamless glissandi (portamento) between two or more notes and at 3 different speeds. HOW TO CREATE REALISTIC GLISSANDOS/SLIDES: Only the Glissandos/portamento effects need some tweaking to work properly. I'd be lost if it wasn't for their work on Rules. Please, backup your current rules and presets before using these.Īlso, thanks to pcartwright, dgriffee and Erufalion for their contribution to these forums. Miro_Rules_and_presets_2012_08_18.rar Miroslav Rules and Presets (868.44 KiB) Downloaded 1377 times (programs)/notion 3/support/PlugInData/PLK To use the rules, it's necessary to replace the content of the folder: Please, all comments are welcome, specially if you have questions, or think that something could be improved. Articulation is more precise: staccatos under a slur aren't played as staccatos but as detaché / mezzo-staccato, end of slurs are slightly shorter and softer, and non-slur notes are slightly detaché, to improve phrasing, and dynamics were fine tuned. ![]() All strings have sordino and sul ponticello sounds. Strings and some winds (clarinet, brass) are able to do portamento-style glissandos, with or without tremolo / flutter. So, I managed to fix the missing Bass Clarinet, all wind instruments have fluttertongue -either by a recorded sample or a tremolo effect if no sample existed. Miroslav philharmonik 2 manual code#For that matter, it wasn't enough just to code the rules, and most of the presets needed to be edited. Changes are not so drastic, but the important thing is the implementation of more techniques and effects like glissandos and fluttertongue even in instruments that didn't had that particular recorded sample. After some time of tuning and tweaking the Miroslav library, I decided to put together a set of rules and presets for Miro. ![]()
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